Game Maker Point And Click – It is a versatile game engine with design and structure suitable for creating games in many genres. The editor has a full scene editor where you can arrange objects in complex arrays to build levels, rooms and other scenes in your games. Combine this with a full GUI editor, a tilemap editor and an advanced particle effects editor and you have a very powerful and simple game creation tool. And the editor requires a single download with no installation and works on Windows, macOS and Linux.
In addition, if the editor’s capabilities do not provide good enough device processing for your game, it is very easy to create your own external tools that work with and modify data files because they are all readable and integrated. friendly text files. An example of this can be found in the developer’s interview with Artsium Trubchik, where Artsium showed off a custom editor created for Mahjong cards. Another example we’ll focus on in this post is how game developer Marco Giorgini created his own tools for creating point-and-click adventure games.
Game Maker Point And Click
Hi Bjorn and thanks for the post. Well, I’m an Italian programmer who started coding with home computers in the 80s and hasn’t stopped since. My day job involves research and development in natural language understanding, but one of my passions is still connected to the reason I learned to use computers years ago: making video games.
Creating Point And Click Adventure Games Using Defold
Well, I’ve been making a lot of mobile games from the iPhone – with my own cross-platform (mainly C + OpenGL) engine. I’ve also used it for some jams, but for them an online version of the game is a really smart idea. So I started using Mscripton and was looking for another engine with an easier and faster workflow – and that’s how I found it. That was really cool to me. No complicated installation, cross-platform build with no external dependencies and (at least initially) even a website with a remote build (I had to submit my code and I could test the web version built remotely). I had never used Luo before but it was easy and enjoyable, so when my brother asked me to make a small mobile game for a social initiative, I did it and have been using it for most of my game dev projects ever since. Love at first sight – or so.
You are obviously a big fan of point and click adventure games. What is it about adventure games that keeps you coming back to this particular genre?
I’ve always loved adventure games – especially point’ click – but never really finished one before Child of the Hill House – a game I made in 2018 with the first version of the framework, I’m still improving and I still use it. It’s great – I mean, not necessarily the game, although I think it’s good, but I saw that I could mix two passions at the same time – game programming and writing. And I love the bunch of people I’ve met online for the sake of it. So good, I play point click jam games every chance I get. But I don’t play this game alone. For example, another game I’m proud of (which I also ended up with) is Fork vs Monzi – a platform game related to a specific episode of Happy Days (a series that was very common when I was younger) Mark’s Fork vs Monzi Georgini.
You recently shared some information about your workflow and it’s interesting because you use that for your games but you don’t use an editor when you make the games. Can you tell us more about it?
Game Development David Adair, Tom Bielecki,
Well, I don’t work inside. I mean, he’s a game player, but the script is written elsewhere because I think an adventure game needs a special structure, and I’m used to working with Asprite as a graphic editor. So I have a source file with my game script and its resources and a project with my Lua code. I also have a tool that makes creating elements possible and “easier” because it saves everything as text files.
As you can see I have an image with layers and the layer names have prefixes that my builder uses to know how to handle things. for the first time,
The prefix indicates not only the background image, but also the name that I want to put all the elements I use for this scene – and by that in which atlas I want to have the parts I take from the aspirate file and write as png. As you can see the background image – named
I do the same things for the actors – draw them in Aseprite with layers and animation (and timing) – and convert them to an atlas file with the same properties.
Adventure Game Graphics With Dall E 2
For this game I decided to treat multiple layers in the game object as separate sprites – so I modified the code to generate (and process one) to allow me to do so.
As you can see, my game has a lot of animations – but this is very easy to manage, I do things in AcePrite and then build the corresponding atlas. Last but not least, here’s how I manage the game code. I’m using a TreePad Lite file (because it’s convenient!), I convert to a json file (because it works better internally) and then scan its contents to build resources (including sounds and game project data).
In the image above, my script attaches the scene to the scene in the AcePrite file – allowing me to use elements in layers – so I can do something
And it’s related to the elements defined in the AcePrite file – such as a hotspot, an object or a graphical version of elements of a particular state. There is another example
Experimenting With Furniture And Camera Parameters Using Mv3d Plugin! I Really Love The Way It Looks, Like A 90’s Point N Click
It sounds like a really good setup – using the tools you know and combining them. Are there things that could be improved?
One of the things I can do with it that I love is using it for its full power – with its flexibility to put it into more complex workflows. It uses Lua as a scripting language which means I can probably switch from generating data in JSON format for my script (managed by Lua code – as an interpreter) to directly generating Lua code – which uses the current functions of my framework.
This may improve the “only” thing that is still not ideal in my way of working – because even though it is essential (for me) to “translate” resources from my preferred formats – the only game changer is slowly recompiling json for testing – Lua code has a hot reload.
It’s hard to say that you’re already leaving more than what I’m already used to – how to build games outside of the editor. It would be great if I could connect things more between all my pieces, but that would mean working in Asprite and not in the editor.
Easy Jeopardy Game Maker (without Powerpoint)!
With external compilers it would be nice to have a way to build some files in the project folder (based on the extension) – that is, I can build an Asaprite file into Atlas every time I build the project. It’s not essential though – certainly not for me for a project like this – but it can come in handy at other times. That is, I’ll probably start doing hot rebuilds from the outside based on changed files in folders – and if I do, I can already update (some) things on the fly while it’s running. So everything is good here.
Thanks Marco for taking the time to share how you work! How can the community follow your progress and learn about new games and other events?
I’m not constantly active – due to my day job and other personal projects – but when I’m game programming, I’m definitely talking about it on Twitter (@marcogiorgini) – so you can connect with me if you want. !
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